#FINAL CUT PRO 10.2.3 PRO#
#FINAL CUT PRO 10.2.3 FOR MAC OS X#
Hold off on updating until you’re about to begin a new Project for the easiest transition.
#FINAL CUT PRO 10.2.3 UPDATE#
We recommend of course as always, don’t do an update in the middle of a project if you can wait. With each new release X gets more robust and battle-ready. It’s great to see the FCPX team keeping vigilant on squashing remaining bugs and increasing overall stability. In our bays, FCPX has been remarkably stable and fluid for a number of versions now. Tons of bug fixes and performance improvements.Wish they’d all just get along to ProRes and be happy but until that day comes let’s shoot up cheers to see support in FCPX catching up to what the cameras are shooting as quick as possible. The camera makers constantly like to reinvent new flavors of codecs for their gear. These are formats used in HD/4K for cameras from Canon, Panasonic and Sony. Yep, let’s rejoice in AVC-LongG, XAVC, and XF-AVC. The iPad Pro’s screen is especially well suited to showing off 4K originated footage. Having native Share support directly in FCPX means optimal image quality format. 4K Support for more current Apple DevicesĪgain, another no-brainer for those of us who like to screen completed projects looking their best on iPhone/iPad.For the YouTube stars of the world this will be a major time-saver. If you’re on a shared system or you run multiple YouTube accounts, it’s great to not have to re-enter share credentials every time you want to export direct. Ability to Share video to different YouTube accounts.The more native support in FCPX the better. Canon XF-AVC import from the Canon C300 Mark IIĬanon’s C300 cameras are incredibly popular in the episodic, broadcast and event videographer world.But if you’re using X day in and day out in the latest version of OS X you’re looking at the TC display constantly. Timecode Display is (finally!) Fixed in El Capitan This feature opens up huge new workflow potential and is a major leap forward toward X’s viability in more enterprise grade post/broadcast environments.
It now means Libraries can be kept on a SAN volume without the performance hit normally associated with it that forces many users to keep Libraries on local volumes. However if you do work across a SAN, this is really critical. If you’re not working in a shared environment with other editors this is not something you care about. This is a mighty feat of engineering that has been desired since Final Cut X was first released way back in 2011. Faster Performance for Libraries on a SAN.
Keyboard shortcuts are ⌥⌘E for Add Default Audio Effect, and ⌥E for Add Default Video Effect. So if you happen to have a different favorite audio or video filter you’d like to choose as your default and apply via a keyboard shortcut you’ll be all set. The default audio and video effects are EQ and color corrector out of the box. Now with audio and video as separate customizable effects.